Making Work Better Essay

This was done by showing the different bubblers that the white people|leaves the audience in no doubt at all that racism is evil. This is most evident in the | |Use the film terms that you have been taught in |and the Negro people had to use. The white bubbler was a refrigerated one and the |establishing sequence. This sequence began with a medium shot focussing on two water fountains. | |class- this will be good for C3 –aesthetics |Negro bubbler was a broken non-refrigerated one. This represents the racism that |The signage of white and colored, with the white sign being higher than the coloured was subtle | |The selection of items should be based on the |is present in Mississippi straight away and symbolises that the whites are the |representation of the hierarchy within the South. There is quite an extended amount of time on this| |best information to prove your point. You also |preferred race. This is followed on by a car of cops chasing the care of activists |shot, signifying its importance. The lighting shrouds the white drinker in darkness, again quite | |need to select evidence that will not impede the|and pulling them over. This results in the death of the three activists. This is |subtly positioning the audience to reject the values that privilege white people over Negro people. | |fluency of your writing. |authentic representation as the shooting of the three students actually happened. The fact that the light shines over the evidently substandard ‘colored’ fountain perhaps suggests | |Stick to formal register – police over cops for |The cops go on to joke about ‘killing’ a nigga’ and this represents the hatred and |that the director wants to ‘shine a light’ on the racism within Mississippi. When this is combined | |example – unless of course you are quoting |brutality that is shown towards the Negros. The attitude of the cops is juxtaposed|with the next sequence which shows the suspenseful chase scene shrouded in arkness from the | |dialogue |with the attitude of the activists by showing the cops in a bad light by using |perspective of the civil rights activists brutally murdered by Southerners, the perspective of the | |Try not to retell the story – I know it. |close ups and darkness when showing them whereas the activists have an innocence |director is blindingly obvious- racism is clearly evil. |Bold in your homework all C3 words as a way of |and a victimised representation to position the audience to sympathise for them, |Knowing the facts of what happened and then seeing it in a brutal recreation is gut wrenching in its| |giving yourself a quick visual check that you |and support the Negroes. The Ku Klux Klan is also a representation of racism in |ugliness. This evocative response is guaranteed when the naivete of the civil rights workers whom | |have covered all of them enough. |Mississippi. Symbolism and motifs are used to show where the Klan has been |the audience get to see are juxtaposed against the malevolent people chasing them (whom we don’t see| |Try to make sure your topic sentence and |present. These are by reoccurring music, burning cross, and white hoods. These |until the murder takes place). The close ups makes both the fear of the activists and the hatred of| |clincher sentence mirror each other without |things are authentic and support what actually happened in real life. Racism is |their pursuers very real to the audience. When the audience realises that it is the police not only| |directly repeating yourself. |represented effectively throughout the opening scenes in Mississippi Burning. |perpetrating the crime, but laughing about â€Å"killin’ a nigger’ (Parker, 1989) – it is clear that | |Your perspective on the film should be very | |these racist values are abhorrent! These opening scenes establish the director’s perspective | |clear by the strong assertive judgement words | |clearly. Later in the film this is further represented by the excessive violence of the Ku Klux Klan| |used. Highlighted in yellow. | |(KKK). Commonly known motifs such as the white hoods and the burning cross make it clear this is a | |Adding in all of the important info means my | |film based upon a recognisable and authentically represented time in history which makes seeing the | |paragraph was too big, but you can see a natural| |visuals more powerful. These clever film and narrative techniques create a representation of racism| |break with sentences that can act as topic | |that one can’t help but despise. | |sentences and clincher sentences. DO NOT do | | | |monster paragraphs!! | | |